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Some death I have known: Fading printed epitaphs
A collection of original images and writing related to the death of people I knew. The images are repeated three times, first on a white screen printed background, secondly in full strength and finally tinted at about 30%. It is a personal memorial to their lives. I will undoubtedly have to make a second volume in the future. Some of the images were taken at the funerals of the people I have written about. Why is their so little photography at funerals? We photograph all the other key events in our lives. Limited edition, A5, hand stitched, laser printed zine on mixed coloured paper.
London: A visual response to William Blakes' C18 poem.
A photographic illustration of William Blake's poem 'London'. Presented as a limited edition, boxed set of Lambda prints and silkscreened text (Pirrip Press).
3 Muses: Practice, Memory and Song. Swimwear fashion.
Plutarch, in his Quaestiones Convivales, and the Roman scholar Varro, both speak of three ancient Muses. The first is born of the movement of water, the second makes sound by striking the air, and the third is embodied only in the human voice. Their names are Practice, Memory and Song.
Three Encounters: Semi-fictional words and images
Limited edition A5 publication with folded card cover.
Volution: Fictional, historical off-road bike journey
Volution is my response to the 2019 Ffotogallery and Welsh Assembly commission ‘Many Voices, One Nation’. 6 artists were selected to produce a body of work, using photography and lens-based media, to mark the first 20 year of devolution in Wales.
The Cave of Fancy: Wollstonecraft photo-text evolution
The evolution of an unfinished 18th-century story into a 21st-century photo-text novel.
A diptych collage made of original images and text inspired by reunification. The visual material come from a recent visit to Berlin and the text relates to the reunification of Germany in the 1980's.
@ a poetry brothel
Limited edition, hand bound, printed zine about a visit to a poetry brothel. Contains laser cut sections in several pages that, when removed, reveal parts of the handwritten text. The part of the image also removed from the page is however 'completed' by its duplicate printing on the page beneath.
Leadenhall Edit 2
Change in Form: Metamorphosis in the Ashmolean Museum